George Scatchard Pottery
© 2015 George Scatchard Pottery
BRIEF BIO OF GEORGE SCATCHARD
When I was in grade school back in the 1940's a teacher informed me that I had to switch from shop class to
ceramics so other kids could go to wood shop. I was quite unhappy about that because shop was my favorite
class. As it turned out the ceramics teacher was a German woman who had escaped Nazi Germany during
World War Two. She was a wonderful muralist and ceramist whom I soon learned to admire greatly. She let me
help her make glazes and I was one of just a few kids who were allowed to use the potter's wheel. Most of what
we did was hand built, but I got stuck in the mud and never got out. In college, I started out as a business major
and finished up as a secondary art teacher so I could continue to play in the mud. After graduation in 1960, I
settled in Vermont near the end of a dirt road where I built a simple house. I never did get a real job. I started
making pottery in my basement and firing it in the wood fired kiln I had built about 100 feet from the house.
My basic concept was that I would be a subsistence potter making ware for the local folk. That didn't work out
because the local people were operating on a subsistence level too and they didn't really need hand made
pottery. The result was that I wound up converting the kiln to gas and selling big planters, garden lights and
fountains to stores in New York and Boston.
Within a few years, my wife at the time tired of living in such a remote location and we rented an apartment in
Burlington Vermont. I rented a barn and built a new and better kiln. I continued to sell plant related pottery in
New York and Boston to just a few dealers. A few years later, we found a house with a horse barn that we could
afford to buy and fix up. We were a few miles South of Burlington and I continued to sell pottery to the dealers in
new York and Boston.
One winter day in 1966 a neighbor who was a well known sculptor stopped by my studio to ask if I would like to
teach at the University of Vermont. They had a big pile of fire bricks, but no-one knew how to build a kiln. One
thing led to another and I wound up being an assistant professor in the art department. I was there for 3 years and set up their ceramics program.
In 1971 I renovated another old horse barn which became my present studio. I made lots of
utilitarian pottery in those days and sold it at craft shows and what we called “lifestyle stores” around
New England.
In the late 1970's what became known as the OPEC energy crisis hit potters hard. The cost of fuel,
materials, transportation and living all went up. I decided that to have a larger and more steady
market I would start making a line of slip-cast stoneware lamps to sell nationally. My hand thrown
lamps had always been popular and I thought that if I cast similar ones in bigger volume I would be
able to wholesale them to dealers. I made three styles in six colors and placed a small black and
white ad in a national trade journal. Once again, I got lucky and two national companies wanted to
sell the lamps for me. Of the two, I decided to go with George Kovacs in New York and he sold my
lamps in high volume to furniture and lighting stores and through his contract division to interior
designers.
In the early 1980's a pair of recessions forced a slow down in the lighting business and it was
necessary for George Kovacs and his sales force to sell Kovacs lamps over mine as a matter of
survival, so I ended our relationship and sold the lamps myself to many of the same stores and
some new ones. When it became obvious that the internet was the place to be, I got lucky again
and found a local web designer who had us showing up high in the new Google listings very quickly.
The web site made George Scatchard Lamps a national brand over the next 25 years or so.
In 2012 a larger lamp company, the House of Troy offered to buy my lamp business. They had a kiln
built and I trained Steve Miller, one of their employees to be the potter who would run the new ceramics department.
Now I am back where I started. I am making hand thrown pottery on the wheel again. Thanks to the internet and etsy I am still able to sell outside rural Vermont
where I like to live.
Planter commissioned for the Pan Am
ticket office NYC 1965